My niece told me a story about being at the park and seeing a pig in a stroller. The image stuck with me and now, a couple of years, I finally got it on paper. The concept turned out to be difficult to express visually though, and as you can see it went through several revisions. Here is my first sketch:
There’s nothing wrong with this I guess, but I felt like it raised way more questions than it should…the pig in the stroller is just too unexpected and needs more context. I tried to draw a park around them as the background and setting:
This helped a lot, I thought, but I didn’t like something about it. I eventually decided that the bench looked crammed into the image and was awkward looking, so I redrew it so that it disappeared off the left side. I also added a tree because it felt park-like:
This all felt right, so I inked it, did my color comp, and then final watercolors. I’m pretty pleased with how this one turned out.
This excited young skier came from my desire to draw a child who is delirious with joy. I settled on a girl who has just made it to the bottom of a ski slope for the first time. Here’s my initial sketch, loosely inked up so that I can easily see the lines on my light table:
My mental image for this image became my sister-in-law when she was skiing as a child. With that in mind, I chose brown hair and dressed her in orange and blue because she’s a Florida Gators fan. I imagined that her cheeks and nose would be fairly rosy from the cold wind, and that also helped me add some dimension to her face. My wife and I bought our first house last fall and this is the first painting that I did in my new studio, so it holds a special place in my heart.
This is the final image I created before considering my portfolio “complete” for the first time. I had created two boys to help round out the ethnic diversity of the humans in my portfolio, so I wanted to draw a little girl. I sketched a bunch of ideas that I was dissatisfied with before drawing this little artist. The sketch that sparked this idea came sort of by accident though. I showed up about 10 minutes early for a meeting, and used the extra time to sketch, and was excited and surprised to end up sketching this:
I thought this sketch had a lot of potential, so I enlarged it a bit on my computer at home, printed it out, and then, using my light table, traced the sketch on a clean sheet of card stock. I then cleaned up my sketch and made changes until I was happier with the pose, expression, and the other details. Here’s the refined sketch:
I just can stand how cute her face and expression are! I feel like I lost a little of that in the final artwork. I still can’t decide if I should have added highlights to the skin on her face, but I was sort of afraid of doing that. You’ll notice that the colors of the beads on her hair ties match the crayons on the floor…that’s a combination of laziness and artistic balance. I didn’t add any yellow to the picture she’s holding up because I didn’t think it would show up. Overall, I’m really pleased with how this came out. It felt nice to finish up my portfolio with this image. Thanks for reading!
As I close in upon completing my portfolio of spot illustrations, I have been focusing exclusively on humans due to the fact that my portfolio is still what some might call ‘animal heavy’. I love animals and love drawing and coloring them, but I assume that art directors will want to see that I can draw and paint a variety of humans as well. My wife and I spent a Saturday lunch a few weeks ago brain-storming a number of human illustration ideas over delicious plates of Chinese food, and one of her most inspired ideas was, “What about a little girl dancing to the tune of a ballerina music box? Maybe she’s trying to mimic the pose.” I could immediately see that image in my head, and it was easily the best suggestion that either of us came up with during that lunch. Here is my pencil sketch:
I spent a long time revising this drawing. It’s very easy for me (and most artists, I think) to get so bogged down in the details of images that I lose sight of the overall image. I would spend a lot of time just focusing on the positions of the fingers on her hand, only to realize when I looked at the whole image that she now looked like she had two claws! Once I’d found a decent balance between simplicity and detail, I played around with the colors in photoshop. Here is the colored sketch that I worked from:
When I set to inking this image, I was very careful to keep my lines light. I knew that this was a delicate image, and even one sort of heavy ink line could ruin that sense of delicateness. I’m pretty happy with how this came out.